CALL FOR ENTRIES: There is no theme for the next issue. The deadline is June 20th for all art and writing entries. Please read our terms of publishing here. If you would like to be featured in this issue, contact us at ZIGZAGCREW@GMAIL.COM

Nov 26, 2010

Back Issues

If you're curious to see how Zigzag started, here's your chance. I just uploaded PDF versions of the back issues to our server. A big wet thanks to Corey Ryan for the subdomain.
Click to preview or rightclick to download (each is about 30mb):


ZIGZAG #1


ZIGZAG #2


ZIGZAG #3


The first issue came out in April of 2010. We agreed to print anything people sent to us (with the exception of the proverbial MS PAINT dongs) and ended up with a few gems. Karen Arango was proudly featured in the centerfold. This was the debut of N.O. Moriar (a mystery to this day) and Clay Barclay. The release of Zigzag #1 required a cardboard sign made out of a PBR box. Suffice to say, the campus security guards were not amused.

With the three of us meeting in the graphic design labs on a regular basis, it became apparent we were serious about producing our own 'zine. About a month later, Zigzag #2 went to print. The design was tighter and the content was fairly cohesive. This second issue continued to feature a mix of poems, drawings, photographs, and single page comics. The contributors were predominantly Ringling students from various majors. Fine artist Matt Coombs had a re-occurring spot, as well as alumni Joey Heart, whose artwork floods the cover and the inside spread.

Zigzag #3 was a summer project. After painstakingly assembling a record 500 copies, we were ready to release it with a bang. The release show was a celebration of creative potential in a small city. Most notably, the third issue features photographs by Kenneth Sterling, short science fiction stories by Brett Bonnet (Nomads of the Nook), and comics by Danielle McDonough. The cover illustration is based on my experience at Jointcollective shows in Sarasota.

Nov 21, 2010

My Mom Digs My Sh**

THE RETROSPECTIVE IS NOW AVAILABLE FOR YOUR EYEBALL PLEASURE AT THIS WONDERFUL SISTERBLOG


The Zigzag Crew: left to right/top to bottom: Van Jazmin, Jack Quack, Cameron Cottril, Michael Bailey, and Brett Lindstrom. On the scene of the our first independent exhibition in Sarasota. The show, titled My Mom Digs My Sh**, featured paintings by Brett J. Lindstrom, Matt Coombs, and Walter Matthews. Please take a moment to check out their works, because these guys are ready to take off to another planet.

Even though I coordinated the event, I didn't see the paintings until the opening. It was an impressive sight. Imagine dynamic street colors, enigmatic layered pictures, and revelations of dark worlds contained in window-like canvases. All of this inside of a quaint church built in the late 1800s. What a pleasure it must have been to discover such subterranean mystique around the corner. Most art openings in Sarasota are targeted at the ritz or the pits, but this was a wonderful mix. Inter-generational. Not to mention there were many beautiful women drinking wine. Success!

Click here to see more photos from the exhibition. (courtesy of Ted Weber and Bob the Elder)

Love or Hate

Zigzag Magazine began as an idea planted in a pile of loose sketches, scribbled lists on graph paper, and a collective need for expansion. Each of the first four issues improved on the last, and each gradually has grown further beyond the college campus where it was hewn. ZigZag now features artists from throughout the nation, packaging the voices of new artists and writers into a user friendly creative showcase for the world to gawk at.

The first release party was a packed open mic slam with freestyle beat-boxing and live painting. Sarasota's subterranean scene had come out of the woodwork. The message of the night's speeches would carry on, "Do what you love. Live in the present. Be yourself and be remembered."

Upcoming issues will feature a higher more selective quality of work from students, amateurs, and professional artists as well as full color printed pages. The hope is to maintain an entertaining medium of free expression, while also managing to be a respected resource for new talent and inspiration.

Next issue and how to contribute:
The next issue has a theme, LOVE/HATE. One side of the 'zine features art or writing that deals with LOVE, and the flip-side deals in HATE. Each piece should be either LOVE OR HATE, not both. We are accepting color and B/W entries for this issue! If you would like to be featured in the love/hate issue, please email a high quality image or document to ZIGZAGCREW@GMAIL.COM

Oct 9, 2010

October Release Installation


Giddy with sticky fingers, we hauled this unwieldy hunk of metal through the back door of the coffee shop. It was Peter Carlson and I, slapping high fives and talking excitedly around midnight. The long awaited NEWZBOX found a home at Big E's Coffee House, Zigzag's first installation location (Sarasota FL). The employees of the shop even looked away from their Tekken match to stare at it, and ask about its origins. "Oh we got it off the black market."


The box (located at 2805 N. Tamiami Trail) holds ZIGZAG #4. This issue has the most striking cover image yet, and holds together with Lindstrom's solid design. There are fewer artists involved in this particular issue. Nevertheless, it features multiple illustrations by Ringling students William Inman, Scott Prather, and Rob Chandler -- as well as a must-read article by Ben Turk, revolutionary playwright and producer of Insurgent Theater. This issue is meant to not only showcase upcoming creativity; it should also inspire action.

CLICK HERE to preview this issue online!

Sep 25, 2010

Raising the Bar


These are exciting times for us all. Zigzag magazine has expanded to include artists and writers across the map. As if the pool of Ringling students were not diverse enough, there will be an amazing convergence of styles in these upcoming issues...a better reflection of what is happening in art everywhere.

Ringling students: this will be your chance to be published with not only the obscure treasures, but popular peeps as well! And for those of you who already realize the potential for Zigzag, know that we are currently recruiting a STREET TEAM. Contact us for more info on how you can help Zigzag fuel the fire (we need printers, promoters, and color copy donors).

Not only that, we are preparing to launch a website and soon we will install a newzbox at our first local distribution hub. Big E's Sweets & Gourmet is a ramshackle coffee house across from Ringling College. People who read political texts and play chess tend to congregate there. I once met a guy at Big E's who told me about how he learned to survive in the desert without food for a week.

(In the photo: Brett Lindstrom and the late nite graffiti crew.)

Sep 19, 2010

Release at Rico's



For those of you who weren't there, I will describe a night of true synchronicity. But first, Imagine that feeling you get when you are doing something that's enjoyable, righteous, and fun. Isn't there a sense of now, of focus and exhilaration that keeps you loving the present? You transcend your expectations and fears about the past or future, and find yourself back in the ongoing WOW that's happening right NOW. Imagine: shaking hands with everyone you wanted to meet, dancing to music by your best friend, watching colors appear, giving applause to someone you're proud of, and knowing there is more to come.

Well, that is how I felt on September 10th, 2010. As promoter for Zig Zag, I kept busy buzzing around the campus, the neighborhood, the smokers' paradise, around tables and along stairwells. When I saw a friendly face, I threw light on the night's festivites. "This is no ordinary party, you see. There will be an important message, and I'd like to see you there." In some cases, I had to mention, "There's beer and pizza and all your friends will be there, bro!" Meanwhile, Brett Lindstrom (mad designer of Zig Zag) wrestled words with authority to get his seven foot high poster hung over a balcony, and was successful.



Many phone calls and check lists later, we rolled out to the joint. Rico's Pizzeria is not one-of-a-kind. Indeed, it has all the elements of a bar cross with a pizza restaurant - spicy smelling hot air, checkered plastic table clothes, neon beer signs, and your finest silly-faced wandering locals enjoying a late dinner. The proud owner, who smiled when I called him Rico, was happy to help us set the stage. Then Jack Price (creative editor of the 'zine) arrived in a denim vest with "ZIG" on one breast and "ZAG" on the other. Once the three of us were on location, the presence of Zig Zag established, we witnessed a gathering of bright minds and voices to be reckoned with.

Wherever I looked, there were ambitious faces, note-takers, personal journalists, photographers, film students, poets, actors, listeners, talkers, seekers, and good-hearted hedonists. Some heard music and walked across the street, and others carpooled from boring towns to catch a glimpse of the Sarasota scene. The show began with a word from writer and street performer Jordon Stone, who introduced the importance of creativity and giving voice to unpopular ideas. On one side, William Inman sat at his easel capturing each moment in swift blue paint strokes. At the same time, Darcy Little prepared her canvas for an intense dance of red and yellow. Live art framed the imaginary stage, as the audience became the attraction.

Backed by Pat the DJ, Brett J. Lindstrom took up the mic and demanded enthusiasm. He spit relentless rhymes and was the first to freestyle. The tokin' folks outside could feel the beat, the insiders heard the flow, and the standing floor connected to the source began to expand. When Ricki Rishi and Jha Fa came out of nowhere and delivered a two-man verbal explosion of beatboxing and free rhymes, there was encore. Half Dub played a fresh set worth a skank and showed their versatility by switching instruments. Finally, the floor opened for the headlining band, Speak Nothing About Project Mayhem. SNAPM, as always, slammed the crowd with funkin' grooves and left 'em with something to think about. In the end, the message was clear: do what you love, be a part of something, go out and see what's happening now, express yourself freely and you shall be remembered.


Thanks again to everyone who made the event possible, especially you delightful people who showed up without an excuse. Look forward to another Zig Zag hosted slam later in the year. If you'd like to help arrange or perform in at the next big release, please let us know. Contact us at zigzagcrew@gmail.com

Click here for more photos of the event.

Sep 12, 2010

Launch Time

The ease and appeal of blogging is inspiring a new group of writers and creators to share their voices with the world. It is the soap box of the 21st century. Likewise, Zigzag Magazine is an answer to the artist's demand for free expression and recognition - a chance for digital natives and settlers to be immortalized in print. Paper, quickly crumpled, burnt, torn, and tattered, still brings us closer to reality than fleeting pixels. Not to mention, it is much easier to read a 'zine on the shitter than to fumble with a laptop in that moist environment. It is virtually impossible to wipe your ass with an online newspaper.

With that said, there are a few ways to get your hands on a copy of Zigzag 'Zine. The first way is to become a contributor. That means sending us scans of your artwork, photographs, stories, and/or poetry to zigzagcrew@gmail.com For inside pages, we accept black & white images (proportionate to 4 x 7 inches), design files, and text. Cover submissions are printed in color and spreads are 11 x 8.5 inch pages. There is no limitation on subject matter. We only ask that you do what you want to do. Send us something you feel strongly about communicating or whole heartedly enjoy creating. There are no deadlines unless you want one. But heck, we sure need some material for the next issue, so send in your page soon!

If you'd like to check out the magazine before contributing, please contact us for back issues. (Contributers living in Florida always receive issues free of charge.) Otherwise, take notice of the PDF version of the latest issue. Zig Zag prints a new release every other month.

For questions and concerns, please contact us at zigzagcrew@gmail.com. If you'd prefer to speak to the founders individually: email Brett J. Lindstrom / Jack Quack / Van Jazmin AKA Fig.